Jasmin Vardimon: dance is a universal language
The choreographer on the arts, education and why Alice in Wonderland is an immigration story.
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As the literary novel fades from relevance, James Graham is the writer for our era
The author of Dear England has channelled the people and events that made modern Britain.
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It’s the Economy, Stupid is a polemic about the perils of capitalism
This show is both a whistlestop tour of modern economics and Joe Sellman-Leava’s attempt to understand why he’s always broke.
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London’s season of sexed-up Shakespeare
New productions of Richard II and Much Ado About Nothing both burnish their texts with hot celebrity appeal – but…
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Kyoto gives voice to the urgency of the climate crisis
Soho Place’s perceptive and absorbing production shrewdly reminds its audience that there is nothing more exciting than saving the world.
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Onegin at the Royal Opera House: a spectacular blur
This ballet is visually gorgeous – but the story is lost in the whirl of movement.
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Elton John’s The Devil Wears Prada musical can’t improve on the film
The songs don’t stick, and the fashion is more The Only Way Is Essex than made in Milan.
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Margaret Atwood’s MaddAddam trilogy makes for an inventive, genre-expanding ballet
This futuristic cocktail from the Royal Opera House is true to the spirit of Atwood’s novels.
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