Ana de Armas’s licence to kill
This John Wick spin-off asks: what if women could shoot a gun too?
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Cinema’s apex predator
The Australian survival thriller Dangerous Animals is a long-overdue corrective to the sharks-as-man-eater genre.
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Picnic at Hanging Rock’s vision of girlhood
Peter Weir’s 1975 film, like Joan Lindsey’s original novel, understands that being a teenage girl is an experience full of…
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Wes Anderson’s sense of an ending
Unlike his mannered recent films, The Phoenician Scheme has both style and story.
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The Wedding Banquet is a breath of fresh air
Andrew Ahn’s deft remake of Ang Lee’s 1993 film is full of sharp one-liners and affectionate satire.
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Mission: Impossible 8 – the return of the sexless show-off
The Final Reckoning exists only to serve the ego of cinema’s supposedly great daredevil, Tom Cruise.
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The complicity of Leni Riefenstahl
The late film-maker insisted she was only an observer of the Nazi regime. A new documentary suggests otherwise.
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Paolo Sorrentino’s Parthenope is an exercise in the male gaze
The Italian director’s latest film is all beauty and no sense.
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